Luxury Leather Bag The Row Iconic Bag

The Row Crossbody and Small Bags: Everything in One View

Most of the coverage around The Row settles on oversized, understated leather carryalls, yet the design thinking reads most clearly at the smallest scale. There is nowhere to hide on a crossbody or a clutch: the proportions must be correct, the closure must work cleanly, and the leather has to carry the object unaided. Below is a row bags overview of the small end of the line, dealing through crossbody styles, compact shoulder bags, pouches and clutches. Every figure is an observed 2026 market price noted in September of that year, not an official price list, because the brand publishes none. Where the brand’s own product page confirms a piece as Made in Italy, that is noted here rather than taken on trust. Bags only, with ready-to-wear and footwear excluded.

How a Small Bag Is Identified Here

Given that The Row bags carry no exterior logo plaque and no monogram print, a small one is placed on silhouette, proportion and construction alone. A discreet exterior stamp rests low on the side, where it vanishes into the leather, and a second stamp is set inside. Hardware is palladium-plated in a matte or brushed finish, reading as weight and precision rather than shine. Linings are luxury materials in their own right, with nappa, lambskin, calfskin and cotton herringbone put where other houses print logo jacquard. On a large tote those decisions are easy to overlook; on a clutch the size of a paperback they are the whole design. Which is why the small pieces provide the clearest introduction to how the label treats leather.

• No exterior plaques, no branded hardware, nor monogram print
• Recognised on silhouette, proportion and construction
• One discreet stamp on the exterior and a second inside
• Palladium-plated hardware, matte or brushed
• Linings in nappa, lambskin, calfskin or cotton herringbone

The Crossbody Group

Crossbody styles form the most practical corner of the collection and, on observed 2026 prices, one of the most accessible. The group covers roughly $1,290 to $2,550, which puts the row bags its floor below almost every top-handle style the brand makes. Naming uses the house convention of orientation prefixes: N/S and E/W mark off upright versions from wide ones within a single idea. Because the Park family takes in the N/S Park Tote, the Park Tote, the Park Tote Three, the XL Park Tote and the N/S Park Crossbody, it sits partly inside this group. Materials come down to calfskin in smooth, grained and saddle finishes, with palladium-plated fittings throughout. None of them carry visible branding, and that is why they are bought as daily bags rather than occasion pieces.

The N/S Park Crossbody and the Rene Crossbody

Observed at $1,290, the N/S Park Crossbody is the smallest route into the Park family without going to a tote. Same flat, unstructured logic as the rest of the family, simply scaled down to be worn against the body rather than carried in the hand. Owners of a The Row tote bag from that line will recognise the identical construction language shrunk down to a fraction of the volume. Just above sits the Rene Crossbody, observed at $1,350. The pair sits inside the entry band the collection keeps at its lowest end, roughly $590 to $1,500. If you are choosing a first row bag, this pair is the point at which the smallest outlay meets the fullest expression of the house style.

The Izzy, the Annie and the Large Slouchy Banana

Across its orientations the Izzy was observed at $2,300 for the E/W Izzy and $2,490 for the N/S Izzy, with a Small Izzy shoulder version at $2,100. The N/S Annie Crossbody was observed at $1,950, which places it between the entry crossbodies and the Izzy group. The Large Slouchy Banana was observed at $2,550 and is confirmed Made in Italy on the brand’s own product page. That page was showing waitlist availability rather than open stock at the time of research, which is normal for the label. These three lines define the upper half of the crossbody range, where structure and leather weight rise noticeably. They are also the pieces buyers most often cross-shop against small shoulder bags rather than against each other.

The Compact Shoulder Bags: Half Moon and the 90’s Bag

Two of the four signature models belong at this small scale, which tells you how seriously the label treats the format. Observed at $1,390, with a leather variant seen at $1,690 at a stockist, the Half Moon is confirmed Made in Italy. Officially the dimensions are 8 x 13.5 x 2.5 inches, though sources do not agree on the exact figures, which makes it the official reading rather than a settled measurement. Observed at $1,090, the 90’s Bag is the least expensive of the four signatures; the 90’s Shoulder version was $1,450. Both lean on curve and drape rather than hardware for their identity. Between them they are the cheapest genuine entry into the top row bags by silhouette rather than by category.

Clutches, Pouches and Evening Formats

The clutch group is where construction detail becomes most visible, and the Bourse Clutch is the clearest case. Observed at $1,590 and confirmed Made in Italy, it combines a calfskin exterior, a nappa lining, a hinged frame closure, a hidden adjustable shoulder strap and dimensions of 10.2 x 6.5 x 2.3 inches. The Peggy Clutch was observed above it at $2,900 and the Dalia Baguette at $2,700, with the Squared Compact Clutch level with the Half Moon at $1,390. Evening formats go higher still: the CC Minaudiere at $2,780 and the Long CC Minaudiere at $3,800. Another Made in Italy piece, Terrasse To-Go, was observed at $1,950 and falls between clutch and small bag. The pouches and small leather goods close out the range below all of them — Ray Pouch seen at $950 and $1,100, Travel Pouch at $990, Sally at $1,000, Cecily Mini Tote at $950, Mini Barn Tote at $1,200, Double Travel Wallet at $590.

Observed 2026 Market Prices at a Glance

The table pulls the figures above into one view for comparison. Every number is an observed 2026 market price, not a published official price list, and the brand issues none. Prices at retailers can differ from the brand’s own site, while currency, season and stock each move the number. Where two prices are shown, they represent either two versions or two sizes observed at the same time. This is a snapshot of how the pieces sat against each other, not a quotation. The relative ordering has proved more stable over time than the absolute numbers.

How the Small Bags Behave on Resale

These resale figures are observed market behaviour, not investment advice; treat them as context, not as a case for buying. In the Rebag CLAIR 2025 report the label recorded 97% value retention at brand level, entering the unicorn tier of 85% and above for the first time and trailing only Telfar, Hermes and Goyard. That report logged the Half Moon shoulder at 106% retention. For comparison across formats, the same report put the N/S Park Tote at 146% and the Margaux Tote at 107%. Separately, the 90’s Bag has been flagged as the riser of the group, with eBay search volume reported up around 55% year over year as of April 2025. Not everything behaves this way — canvas, nylon, sisal and seasonal colours discount on the secondary market, while the strength sits in black and neutral calfskin in the signature silhouettes.

Day-to-Day Care

Since no brand-issued care protocol exists, the advice below is material-appropriate general guidance. Do not overfill a small bag: the shape does the identifying work, and a stretched gusset ruins it. Keep the leather out of direct sunlight, heat and rain, and store the piece in its dust bag, lightly stuffed, so it holds its form. Buffing with a soft dry cloth suits calfskin and grained finishes; use neutral conditioner sparingly. Nappa and lambskin take marks readily — dry cloth only, and no over-conditioning. Suede takes a suede brush only, with no cream, wet wipes, soap or water-based cleaner, while raffia, canvas and silk or satin versions spot-clean but are the least serviceable of all.